Winsor McCay

 

Winsor McCay

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Zenas Winsor McCay was an American cartoonist and animator. He is best known for the comic strip Little Nemo and the animated film Gertie the Dinosaur. For contractual reasons, he worked under the pen name Silas on the comic strip Dream of the Rarebit Fiend. From a young age, McCay was a quick, prolific, and technically dextrous artist. He started his professional career making posters and performing for dime museums, and began illustrating newspapers and magazines in 1898. He joined the New York Herald in 1903, where he created popular comic strips such as Little Sammy Sneeze and Dream of the Rarebit Fiend. In 1905, his signature strip Little Nemo in Slumberland debuted, a fantasy strip in an Art Nouveau style, about a young boy and his adventurous dreams. The strip demonstrated McCay's strong graphic sense and mastery of color and linear perspective

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Winsor McCay

Born 1869-09-26 (156 years ago) in Spring Lake.

Awards
Award Ceremony Year Awarded for
Will Eisner Award Hall of Fame 1996
Relationships
Name From To Relationship type
Maude Leonore Dufour(Gifta: 1891–1934-07-26) 1891 1934-07-26 Gifta
Children

Bob McCay, Marion McCay

Parents

Robert McKay, Janet Murray McKay

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Winsor McCay

Bio provided by Wikipedia External link to the source of this bio

Zenas Winsor McCay was an American cartoonist and animator. He is best known for the comic strip Little Nemo and the animated film Gertie the Dinosaur. For contractual reasons, he worked under the pen name Silas on the comic strip Dream of the Rarebit Fiend.

From a young age, McCay was a quick, prolific, and technically dextrous artist. He started his professional career making posters and performing for dime museums, and began illustrating newspapers and magazines in 1898. He joined the New York Herald in 1903, where he created popular comic strips such as Little Sammy Sneeze and Dream of the Rarebit Fiend. In 1905, his signature strip Little Nemo in Slumberland debuted, a fantasy strip in an Art Nouveau style, about a young boy and his adventurous dreams. The strip demonstrated McCay's strong graphic sense and mastery of color and linear perspective. McCay experimented with the formal elements of the comic strip page, arranging and sizing panels to increase impact and enhance elements of the narrative. McCay also produced numerous detailed editorial cartoons and was a popular performer of chalk talks on the vaudeville circuit.

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