Scud

 

Scud

  • Overview
  • Info & links
  • Images
  • Comments

Visa denna sida på svenska på Film.nu

Scud is the working name of Hong Kong Chinese film producer, screenwriter and now film director, Danny Cheng Wan-Cheung. He says that he chose the name 'Scud' to match his Chinese name, which translates in English as 'Scudding Clouds'. He was born in Guangzhou on March 20, 1967, during the country's Great Cultural Revolution. His films explore themes usually deemed too controversial for Hong Kong cinema, including same-sex relationships and drug-taking, and include many nude scenes of Chinese young men, whose pubic hair and private parts are fully exposed on camera. His film-making style eschews cynicism or gritty realism, and embraces an acceptance of the life choices made by his characters, rather than a search for 'solutions'

Content from Wikipedia provided under the terms of the Creative Commons (CC BY-SA 3.0).

 
 
 
 

Lists & News

TMDb Filmanic is using The Movie Database API (TMDb) for certain functions, but is in no way supported or certified by TMDb.

Is this page about you? The information we have obtained is in whole or in part from The Movie Database (TMDb). You may request that we remove all personal information we have stored about you by sending us an email and include the URL of this page. Explain who you are, so we know you are the person this page is about. To delete your data from TMDb, you must contact them separately.

Scud

Born 1967-03-20 (59 years ago) in Guangzhou.

Images of Scud

Click to enlarge images

Your opinion about Scud?

Start a discussion about Scud with your friends on Facebook or Twitter!

Scud

Bio provided by Wikipedia External link to the source of this bio

Scud is the working name of Hong Kong Chinese film producer, screenwriter and now film director, Danny Cheng Wan-Cheung. He says that he chose the name 'Scud' to match his Chinese name, which translates in English as 'Scudding Clouds'. He was born in Guangzhou on March 20, 1967, during the country's Great Cultural Revolution. His films explore themes usually deemed too controversial for Hong Kong cinema, including same-sex relationships and drug-taking, and include many nude scenes of Chinese young men, whose pubic hair and private parts are fully exposed on camera. His film-making style eschews cynicism or gritty realism, and embraces an acceptance of the life choices made by his characters, rather than a search for 'solutions'.

Content from Wikipedia provided under the terms of Creative Commons (CC BY-SA 3.0).

×
×
×
×
×