Ljuba Welitsch

 

Ljuba Welitsch

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Ljuba Welitsch was a celebrated Bulgarian, later Austrian, operatic soprano. She studied singing at Sofia Conservatory with professor Georgi Zlatev-Cherkin. After specializing in Vienna, she first appeared in Sofia in 1936. Engagements followed in Graz, Hamburg, Munich and finally at the Vienna State Opera. Known for her red hair and exuberant vivacity, her most famous role was that of Salome, which she performed under the composer, Richard Strauss, himself in 1944 on his 80th birthday. She sang the same role for her London debut in 1947 and her first performance at the Metropolitan Opera, New York on 4 February 1949. She also sang the title roles of Tosca and Aida, Donna Anna in Don Giovanni, Minnie in La fanciulla del West and Musetta in La bohème. Her voice was neither creamy nor shrill, possessing a small beat, to which the microphone is kind. This voice was very capable of riding the Straussian orchestra. Welitsch was a unique singer and her uniqueness was quickly established

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Ljuba Welitsch

Born 1913-07-10 (112 years ago) in Slavyanovo, Targovishte Province.

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Ljuba Welitsch

Bio provided by Wikipedia External link to the source of this bio

Ljuba Welitsch was a celebrated Bulgarian, later Austrian, operatic soprano.

She studied singing at Sofia Conservatory with professor Georgi Zlatev-Cherkin. After specializing in Vienna, she first appeared in Sofia in 1936. Engagements followed in Graz, Hamburg, Munich and finally at the Vienna State Opera.

Known for her red hair and exuberant vivacity, her most famous role was that of Salome, which she performed under the composer, Richard Strauss, himself in 1944 on his 80th birthday. She sang the same role for her London debut in 1947 and her first performance at the Metropolitan Opera, New York on 4 February 1949. She also sang the title roles of Tosca and Aida, Donna Anna in Don Giovanni, Minnie in La fanciulla del West and Musetta in La bohème.

Her voice was neither creamy nor shrill, possessing a small beat, to which the microphone is kind. This voice was very capable of riding the Straussian orchestra. Welitsch was a unique singer and her uniqueness was quickly established. Where others linger and milk the moment, she presses ahead, testing the ability of conductors to follow her.

Content from Wikipedia provided under the terms of Creative Commons (CC BY-SA 3.0).

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