Arthur B. Rubinstein

 

Arthur B. Rubinstein

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Arthur B. Rubinstein is a composer and behind in particular several TV series soundtracks, but also occasional film scores, possibly most notably work such as Video Fever and Edge of the World in the film WarGames. During the making of these soundtracks, he was a member of the band The Beepers. He has frequently been hired by film director John Badham, and the majority of his movie soundtracks are to be found in Badham's work. In 1983 Rubinstein scored the soundtrack to John Badham's Orwell stylized film Blue Thunder. Rubinstein created the score using various synthesizers, a popular instrument of the 80's era. In the score Rubinstein used these synthesizers in a symphonic manner by combining them with brass, percussion and string ensembles

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Arthur B. Rubinstein

Born 1938-03-31 (88 years ago) in Brooklyn.

Awards
Award Ceremony Year Awarded for
Primetime Emmy Award for Outstanding Music Composition - Series (Scarecrow and Mrs. King) 38th Primetime Emmy Awards 1986 Scarecrow and Mrs. King
Nominated for awards
Award Ceremony Year Nominated for
Primetime Emmy Award for Outstanding Music Composition - Series (Scarecrow and Mrs. King) 38th Primetime Emmy Awards 1986 Scarecrow and Mrs. King
Child

Alexandra Nan Rubinstein-Ballenger

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Arthur B. Rubinstein

Bio provided by Wikipedia

Arthur B. Rubinstein is a composer and behind in particular several TV series soundtracks, but also occasional film scores, possibly most notably work such as Video Fever and Edge of the World in the film WarGames. During the making of these soundtracks, he was a member of the band The Beepers. He has frequently been hired by film director John Badham, and the majority of his movie soundtracks are to be found in Badham's work.

In 1983 Rubinstein scored the soundtrack to John Badham's Orwell stylized film Blue Thunder. Rubinstein created the score using various synthesizers, a popular instrument of the 80's era.

In the score Rubinstein used these synthesizers in a symphonic manner by combining them with brass, percussion and string ensembles. Using the Synclavier II and dubbing this with both the Jupiter, the Prophet and the Moog analog synthesizers, Rubinstein also created a very unusual sound by placing a microphone inside a large empty water bottle and placing it underneath a Steinway grand piano.

Content from Wikipedia provided under the terms of Creative Commons (CC BY-SA 3.0).

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