Situated in the vein of Rimbaud, Lautréamont, Dostoievski and Benjamin and of free jazz and punk, this film bears witness to the iniquitous policies that shape our era, the "infernalâ? nature of certain political lives or black bodies (those of immigrants, emigrants, workers, the unemployed, students...). It operates, as a minority film, in a critical stasis of mythical and mainstream realities, and deals with the issue of revolt and insurrection: excesses, disidentification, unclear reconfiguration... We are presented, through a dialectical reversal, "non-places" that cannot be assimilated, utopias, corps-impossibles