"A feature-length deluge of incessant, brilliant bursts of images (short takes and jump cuts, single frames in series, freeze-frames slightly altered between takes) it creates a Joyce-like dense and sombre mosaic of memory and sensory impressions, a texture instead of a plot, a dream-like flow of visually-induced associations often flashing by faster than they can be absorbed. Described by the director as an 'anxious allegory and chilling album of nostalgia,' its penetrating monomania is unexpectedly â?? subversively â?? realized to be a statement about American today: the alienation and atomization o technological consumer society is reflected in the very style of the film." - Amos Vogel, Film as a Subversive Art