Rudolph Maté

 

Rudolph Maté

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Rudolph Maté, A. S. C. (21 January 1898 - 27 October 1964), born Rudolf Matheh or Mayer, was an accomplished cinematographer and film director. Born in Kraków (then in Austria-Hungary, now in Poland), Maté started in the film business after his graduation from the University of Budapest. He went on to work as an assistant cameraman in Hungary and later throughout Europe, sometimes with noted colleague Karl Freund. Maté worked on several of Carl Theodor Dreyer's films including The Passion of Joan of Arc (1928) and Vampyr (1932) which led to his being hired as director of photography on a number of prominent films. Maté worked as cinematographer on Hollywood films from the mid-1930s, including Dodsworth (1936), the Laurel and Hardy feature Our Relations (1936) and Stella Dallas (1937)

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Rudolph Maté

Born 1898-01-21 (123 years ago) in Krakau, Galicia, Austria-Hungary [now Kraków, Malopolskie, Poland]. Dead 1964-10-27 (66 years).

Nominated for awards
Award Ceremony Year Nominated for
Academy Award for Best Cinematography (Cover Girl) 17th Academy Awards 1944 Cover Girl
Academy Award for Best Cinematography, Black-and-White (Sahara) 16th Academy Awards 1943 Sahara
Academy Award for Best Cinematography, Black-and-White (The Pride of the Yankees) 15th Academy Awards 1942 The Pride of the Yankees
Academy Award for Best Cinematography, Black-and-White (That Hamilton Woman) 14th Academy Awards 1941 That Hamilton Woman
Academy Award for Best Cinematography, Black-and-White (Foreign Correspondent) 13th Academy Awards 1940 Foreign Correspondent

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Rudolph Maté

Bio provided by Wikipedia External link to the source of this bio

Rudolph Maté, A.S.C. (21 January 1898 - 27 October 1964), born Rudolf Matheh or Mayer, was an accomplished cinematographer and film director.

Born in Kraków (then in Austria-Hungary, now in Poland), Maté started in the film business after his graduation from the University of Budapest. He went on to work as an assistant cameraman in Hungary and later throughout Europe, sometimes with noted colleague Karl Freund. Maté worked on several of Carl Theodor Dreyer's films including The Passion of Joan of Arc (1928) and Vampyr (1932) which led to his being hired as director of photography on a number of prominent films.

Maté worked as cinematographer on Hollywood films from the mid-1930s, including Dodsworth (1936), the Laurel and Hardy feature Our Relations (1936) and Stella Dallas (1937). He was nominated for the Academy Award for Best Cinematography in five consecutive years, for Foreign Correspondent (1940), That Hamilton Woman (1941), The Pride of the Yankees (1942), Sahara (1943), and Cover Girl (1944).

In 1947, he turned to directing films, his credits include When Worlds Collide (1951), the film noir classic D.O.A. and No Sad Songs for Me (both 1950).

Directed by Maté, The 300 Spartans is a 1962 film depicting the Battle of Thermopylae. Made with the cooperation of the Greek government, it was shot in the village of Perachora in the Peloponnese.

He died from a heart attack in Hollywood on October 27, 1964 at the age of 66.

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